Arte antica Archivi - Pagina 17 di 169

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.

Necessary

Sempre abilitato

Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.

Cookie	Durata	Descrizione
cookielawinfo-checkbox-analytics	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional	11 months	The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy	11 months	The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.

Functional

Performance

Analytics

Others

Categoria: Arte antica

“Saxa, dove la pietra diventa storia”, una mostra di Massimo Terzini sui centri storici della Ciociaria.

Francesco Petrucci presenta la “Presa di Cristo”: “Perchè a Palazzo Chigi? E’ il posto più idoneo. Non sono un ‘caravaggista’ ma l’autografia è evidente!”

Giovanni Angelo Montorsoli e il cantiere scultoreo del Palazzo di Andrea Doria a Genova (Inediti italiani e spagnoli).

Caravaggio, Bernini e il tema della “Medusa”: crediti, motivazioni e simbolismi tra realismo e finzione.

Dipinti inediti a Vicenza tra Rinascimento e Barocco. Nuove attribuzioni.

Flore ou Vénus ? La juste « traduction » d’un chef-d’œuvre de Poussin révèle des sens cachés. Quand la culture païenne promeut les vertus chrétiennes (con versione in Italiano).

Leggere Caravaggio (parte II). I primi rapporti del giovane Caravaggio a Roma.

I Mattei di Giove, da bovattieri a feudatari: l’ascesa di una famiglia patrizia nella Roma del ‘600 e la raffigurazione dei feudi di Paul Bril.

Un protagonista della Controriforma a Brescia, Pietro Maria Bagnatore (1548-1627).

The origin of the symbolism in Caravaggio’s early works: the meeting with the “Insensati”, precursor of the new Enlightenment (with the support of the young Maffeo Barberini). (Original english text, with the author’s italian translation)

Niccolò Tornioli, l’indagine di Rita Randolfi su un artista di primo piano nella scena romana nel quarto e quinto decennio.

Caravaggio e Bernini per Paolo V Borghese: un percorso condiviso? Il connubio tra Natura & Invenzione tra il lombardo e il maestro del barocco.

CONSENSO COOKIES