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ABOUT ART ON LINE

“Andò superbo come fosse un dio”. Giulio Cesare, le tecniche di persuasione e il potere delle immagini.

A failure of connoisseurship: the Caravaggio ‘case’, among illustrious mistakes and missed attributions (original english text and italian version)

Per Francesco Arcangeli: “Nel mio lavoro ho scelto le strade più difficili, non posso aspettarmi anche gli elogi…”.1943 -1969: il carteggio con Gabriella Festi, e la mostra “Tramando” nel 50enario della scomparsa.

“Michael Sweerts. Realtà e misteri nella Roma del Seicento”. La mostra all’Accademia di San Luca (fino al 18 gennaio 2025)

“Ora ti racconto, non c’erano solo i fiori”. Il mondo di Antonietta Orsatti, un’esplorazione senza compromessi: esposto a Roma fino al 1° Dicembre

Qualcosa di inglese a Napoli: «Sir and Lady Hamilton» mostra alle Gallerie d’Italia (fino al 2 Marzo)

L’Arte di insegnare l’Arte. Dario Evola ad About Art: “oggi la sfida per un bravo docente è quella di far capire agli allievi la differenza fra Duchamp, Warhol e Cattelan”.

“OSTIA”, la guida agli Scavi ostiensi di Angelo Pellegrino: i monumenti, gli itinerari e la realtà storica e sociale dell’antica Ostia

Due opere di Giuseppe Modica al Centro Congressi La Nuvola (Arte in Nuvola, 22 – 24 Novembre)

Su Tom Di Salvo e alcune sue pitture. Arte tra immagine e parola.

Le ultime Sonate per pianoforte di Alexander Skrjabin in Cd con lo specialista Pietro Rigacci.

” … niun per gran coloritor che sia, ma senza invenzione, non si deve chiamar pittor ma imitator anci distruttor dell’arte”. I ‘difetti’ del realismo caravaggesco: vero o verosimile ?

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