ABOUT ART ON LINE

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.

Necessary

Sempre abilitato

Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.

Cookie	Durata	Descrizione
cookielawinfo-checkbox-analytics	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional	11 months	The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy	11 months	The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.

Functional

Performance

Analytics

Others

ABOUT ART ON LINE

“Chiodo della terra”; l’esordio letterario di Roberto Zito, tra il peso del rimpianto e la potenza distruttiva dell’Etna.

“Evocations”. Un Cd della Da Vinci per una convincente interpretazione di Brahms della giovane Sara Costa

“Habemus Papam”, la street art a Venezia con l’artista Maupal.

“Cervellati. Ai margini del campo”. Dal libro di Fabio Ciriachi una ricerca del tempo perduto.

Chiusa con grande successo la 1^ Edizione del festival letterario “Parola per Parola” a Belpasso (CT).

I “pincisanti” e le forme della devozione domestica; novità e dipinti inediti nella pittura su vetro in Sicilia.

Un Corso intensivo online per parlare delle teorie artistiche tra pigmenti e colori.

“Unease/Uneasy” di Sergio Angilella allo studio DZ4 in via dei Zeno.

“A few words with my reaction to Moch Onori’s publication”: one note from Marilyn Aronberg Lavin at About Art.

« Mode impressionniste » exposée à Rome ; ça valait la peine ? Lumière sur les « mineurs », beaucoup d’ombres sur le reste (texte original en français avec résumé en italien).

“Non soltanto le belle arti, ma anche filosofia, lettere, scienza, teatro, musica”. NAPOLI Ottocento. La grande mostra alle Scuderie del Quirinale.

A proposito di Rodolfo Papa incisore, dove un simbolismo mai edulcorato richiama al Rinascimento come base di riflessione.

“Volle il Vicerè coronar d’alloro quel Poeta …”. Il pittore – poeta Francesco Potenzano (Palermo, 1552 – 1601) e la caricatura nei vasi degli speziali palermitani.

Giovanni Battista Bolognini (1611-1688): dalla “floridissima scuola di Guido Reni” un protagonista poco noto del barocco bolognese.

Al Teatro dell’Opera trionfo per il debutto di Lisette Oropesa ne “La sonnambula”. Discutibile la realizzazione scenica.

CONSENSO COOKIES